The C500’s full frame sensor allows you to get more out of your shots, giving you a shallower depth of field, wider vistas and crisper detail than a Super 35 sensor. The larger photo sites allow the sensor to provide higher quality data…so none of your color info gets lost along the way. But don't worry...if your shoot requires Super 35, the C500 can do that too.
New HDR broadcast codecs make HDR workflow simpler by giving you 14 stops of latitude (7 more than REC-709) without the need to record in LOG and color correct before postproduction.
Canon’s Cinema RAW Light allows you to record 6K footage directly to cards at up to 60 fps without loss…all with four times the efficiency of the original Cinema RAW.
Wireless follow focus, wireless video, broadcast lenses, remote paintbox, interchangeable lens mounts, outboard recording monitors,
the C500 can be built out as compact or as extensively as you need.
Small enough to fly on a gimbal but powerful enough for broadcast shooting with full-size sports lenses, the C500 can go from shoulder mounted to jib and beyond.